Free Sound Within Culturally Specific Practice

نویسنده

  • Robert J. Gluck
چکیده

Since the 1980s, composers from cultures outside of Europe and North America have begun to integrate traditional elements within electroacoustic music. This has included the use of non-Western musical instruments, sometimes expanded by the use of electronics, sounds from local cultural environments, speech sounds in a native tongue, and non-Western aesthetic concepts and musical forms. A number of these approaches are discussed, accompanied by musical examples and analysis of what motivates composers to follow these directions. Implications for musical practice are also addressed, with a focus on first hand composer narratives and observations.

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تاریخ انتشار 2005